Mladen Bundalo
Born 1986 in Prijedor, Bosnia-Herzegovina.
An interdisciplinary artist working on visual-dialogical systems that address movement, exchange, value, inflation, and uncertainty, as nodal categories in the experience of modern society.
Lives and works in Brussels.
http://www.mladenbundalo.com/

Martina Petrović
Interdisciplinary artis, born in Serbia. Her artistic practice started with visual works, from drawing and painting to sculpture and installation. Currently she is busy with artistic research exploring the sphere of performative rituals. Her practice revolves around reroting of Balkan rituals into the sphere of environmental and paricipatory art. She is also active in two art collectives School of love and Garden of Delights.
https://cargocollective.com/TheLastStraw

Pierre-Louis Cassou
Film and audio-visual art producer (France, 1982).
Founder of La tangente, production structure. Lives and works in Brussels, Belgium

Tijana Petrovic
Tijana Petrović (born in 1997. in Belarus) is a Serbian artist and researcher who has situated her artistic questions in geopolitical, critical institutional framework across various forms of artistic expression from performance, and video-performance to text art and textual, discursive practices and conversations. A significant segment of her work is directed towards an active pondering of contemporary social and political problems, both in Serbia and in broader terms. Her interests are directed towards a practice of imagination, and storytelling, as well as to the concrete proposals of the new narratives. She has a BA and MA from the Faculty of Fine Arts in Belgrade, department of New Media, as well as an Advanced Master’s in Research in Art in Socio-Political Context from the Sint Lucas School of Arts in Antwerp. In 2023, Tijana was also a participant of the École nationale d'art de Paris. In recent years, her practice has been defined by the interplay of intervention and reflection between subjects within her sociopolitical realm, and the harnessing of peripheral as a form of radical self-interpretation. She has exhibited her artistic works in art institutions such as the Museum of Contemporary Art in Belgrade (Gallery – legacy of Milica Zorić and Rodoljub Čolaković), the Museum of Contemporary Art in Zagreb, KIBLA Multimedia Center in Maribor, Biennale of Contemporary Art Pančevo, Cultural Center of Belgrade, Morpho Art Space in Antwerp, etc. Tijana is currently in Belgium, pursuing a research career as an active actor in the cultural scene.
website
https://tijanapetrovic.com/

Emily Zuberec
Emily Zuberec (born on the land of Musqueam, Skxwú7mesh-ulh Úxwumixw (Squamish) and Tsleil-Waututh peoples/Vancouver) is a poet living and working in Tohtià:ke/Montréal. She is the managing editor of the online publication Commo Magazine, and is the co-founder of the reading series One Long One.
website
http://thisispublicparking.com/posts/god-in-the-particulate

Ana Edwards
Ana Edwards is a Chilean artist and filmmaker. Her work combines aspects of ethnography, ecology, poetry and perception to explore relationships and systems between beings and their environment. She studied Visual Arts in Santiago de Chile and then an MA in Visual Anthropology in Manchester, UK. She currently lives between Belgium and France, where she recently finished two years at Le Fresnoy Studio National des Arts Contemporains.
https://anaedwards.net/

Lore Dekeyser
Lore Dekeyser is a Belgian choreographer, dancer, musician and composer who has been living and working in Berlin for the last five years and recently moved to Brussels. From 2012 to 2017 she studied philosophy at the University of Ghent (Belgium), obtaining a M.A. in Moral Philosophy in 2018. Her choreographic practice started with Tierra (2019) in which she performed together with flamenco dancer Manou Selhorts a duet about the power of rhythm in De Vooruit (Ghent). In 2020 she was selected for the Pilot Project Dance Residency Program funded by the Berlin Senate Department for Culture and Europe and created Little Movements together with three dancers and two musicians.
In 2022 she took part in the Culterim artist residency in Dahlewitz (Berlin) and created Le Merle Noir, a structured improvisation about the interspace between humans and animals, using John Berger’s philosophical and poetical essays in Why Look at Animals? as a starting point. In the same year she created The Sacred Hour (2022), a search for sincere movement by translating Ferdinand Hodler’s symbolist painting Die Heilige Stunde to dance. In Eeksken 25 (2023) - a 9 minutes and 35 seconds long neo classical composition for piano - she captured ‘home’ in a selective compilation of musical fragments created in the last nine years. In the same year she started working on the series Compositions for Electric Organ with A. and du. as first creations.
At the moment she is working on the first blend of her musical and dance practice with S(H)EL(L)FISH as a work in progress. Central to her work is her psychoanalytical approach to unintentional movement and her ongoing research into dancing plagues and mass hysteria.
insta
https://www.instagram.com/loredekeyserlore/
portfolio
https://drive.google.com/file/d/1T_ViXdV-Emz1f8LRXMH2W3Et_X8SqfZh/view?usp=sharing

stef assandri
Artist, researcher and designer. Born in Montevideo in 1989.
In recent years, they have been exploring and researching practices that relate migration, gender, anti-speciesism, through writing, performance and costumes.
They also work collectively on projects –in Uruguay, Spain and Belgium– that address issues of gender and ecologies. With Renata Lamenza, they conducted and co-created the research project TACTICS for a COLLECTIVE BODY (2020-2022) at School of Arts, University of Antwerp. Stef collaborated with artists of the Fundación de Arte Contemporáneo in Uruguay, and co-directed and performed on Bailamos Siempre Las Mismas Canciones in Montevideo (2017-2018), Uruguay.

website
https://linktr.ee/assandri.tif

Maria Stuut